COLLECTION DAVID JACQUES
Marcus Obbo 1806, Napoli, likely made for Mauro Giuliani
Daniel Friederich ,Paris, 1972
Alexandre Voboam I, Paris, c.1665
Theorbo-guitar, Villaume & Giron, Troyes 1798
Louis Panormo, London, 1832
Anton Stauffer, Vienna, c.1840
Antonio de Torres, SE 109, 1887, Almeria
Guiot, London, 1846
Vicente Arias 1886, Real
Joaquin Pagés, Cadix, 1820
Anonymous children guitar c.1830, Mirecourt
René Lacôte, Paris, 1835
Pracht 1776, Lyon
Gennaro Fabricatore, Napoli, 1817
Augustin Claudot, Mirecourt, c.1810
Julio Heinr. Zimmermann 1902 7 strings russian guitar ex. Armas Järnefelt, Moscow
Henri Lejeune Lyra-Guitar, Paris, 1806
ORIGINAL EARLY GUITARS FOR SALE - GUITARES ANCIENNES À VENDRE
Gaudé, Mirecourt c.1850
PRICE : 4500CAD - 3100EUR - 3700USD
Rare and unique Gaudé à Mirecourt, very well made, spruce top, rosewood back and sides, low but powerful action. Strings 64cm, nut 4,4cm.
Joseph Gaudé (1818–1881)
Served his apprenticeship in Mirecourt (his hometown). His early style of bow making was very much influenced by the Adam school. He produced excellent bows. He also made many instruments including an occasional guitar. According to Mr.Bernard Millant and Mr. Raffin, Joseph Gaude may have worked for the Etienne Pajeot firm around 1835. At this point, his output was influenced by Pajeot. He is known to have set up his own shop in Mirecourt in 1854.
Joseph Gaude was a great master and one of the important bow maker's of the period.
Rare and unique Gaudé à Mirecourt, very well made, spruce top, rosewood back and sides, low but powerful action. Strings 64cm, nut 4,4cm.
Joseph Gaudé (1818–1881)
Served his apprenticeship in Mirecourt (his hometown). His early style of bow making was very much influenced by the Adam school. He produced excellent bows. He also made many instruments including an occasional guitar. According to Mr.Bernard Millant and Mr. Raffin, Joseph Gaude may have worked for the Etienne Pajeot firm around 1835. At this point, his output was influenced by Pajeot. He is known to have set up his own shop in Mirecourt in 1854.
Joseph Gaude was a great master and one of the important bow maker's of the period.
Cabasse-Berrnard c.1815
PRICE : 4000CAD - 2800EUR - 3350USD
Spruce top, maple back and sides. Strings 62,8cm, nut 4,4cm. Very good action, easy to play.
Spruce top, maple back and sides. Strings 62,8cm, nut 4,4cm. Very good action, easy to play.
Roudhloff-Mauchand c.1830
PRICE : 4500USD
Spruce top, maple back and sides, strings 64,7cm, nut 4,7cm.
(Located in the USA)
Spruce top, maple back and sides, strings 64,7cm, nut 4,7cm.
(Located in the USA)
Marshal à Mirecourt, c.1820
PRICE : 4800CAD - 3900USD - 3300EUR
Spruce top, maple back and sides, strings 63,3cm, 4,6cm at nut. Very easy to play, excellent action and intonation.
Spruce top, maple back and sides, strings 63,3cm, 4,6cm at nut. Very easy to play, excellent action and intonation.
C. Barbe, London, 1833
PRICE : 5000CAD - 4000USD - 3400EUR
Spruce top, brazilian rosewood on spuce back and sides. Strings 62,7cm, nut 4,7cm.
Camille or Charles Barbe, London, 1833
The Barbes as musical instrument makers, London from 1827
Lechertier Barbe & Co advertised that it had begun trading at 60 Quadrant, Regent St in 1827. C. Barbe, musical instrument manufacturer, was listed in the Post Office directory from 1829 to 1837 and as Charles in 1838. In Pigot’s directory, Camille Barbe was listed as violin and violoncello maker in 1832 and 1833, and as guitar, violin & flute maker and music seller in 1836 and also as a flageolet maker. In Robson’s directory Camille Barbe was listed as musical instrument maker and importer of French painting brushes in 1833, a listing which continued until as late as 1843. By 1833 the Barbes were importing painting brushes from France.
Camille Barbe, probably Alfred Barbe’s wife, was listed as a partner in the business.
C. Barbe 1827-1837, Camille Barbe 1832-1843, Charles Barbe 1835-1848
The Barbes and the Lechertiers were linked by marriage. Louis Lechertier (b. c.1788) and Magdeleine Camille Barbe were recorded as the parents of Louise Camille Lechertier at her marriage in Paris in 1836
Spruce top, brazilian rosewood on spuce back and sides. Strings 62,7cm, nut 4,7cm.
Camille or Charles Barbe, London, 1833
The Barbes as musical instrument makers, London from 1827
Lechertier Barbe & Co advertised that it had begun trading at 60 Quadrant, Regent St in 1827. C. Barbe, musical instrument manufacturer, was listed in the Post Office directory from 1829 to 1837 and as Charles in 1838. In Pigot’s directory, Camille Barbe was listed as violin and violoncello maker in 1832 and 1833, and as guitar, violin & flute maker and music seller in 1836 and also as a flageolet maker. In Robson’s directory Camille Barbe was listed as musical instrument maker and importer of French painting brushes in 1833, a listing which continued until as late as 1843. By 1833 the Barbes were importing painting brushes from France.
Camille Barbe, probably Alfred Barbe’s wife, was listed as a partner in the business.
C. Barbe 1827-1837, Camille Barbe 1832-1843, Charles Barbe 1835-1848
The Barbes and the Lechertiers were linked by marriage. Louis Lechertier (b. c.1788) and Magdeleine Camille Barbe were recorded as the parents of Louise Camille Lechertier at her marriage in Paris in 1836
Anonymous, England, c.1850
PRICE: 5000CAD - 4000USD - 3400EUR
Very interesting romantic guitar made for the English market. Probably from a french maker like Gerard or Boulangier. Spruce top, nice flame maple back and sides, good mechanics, powerful sound.
Strings 62,8cm; nut 4,7cm
Very interesting romantic guitar made for the English market. Probably from a french maker like Gerard or Boulangier. Spruce top, nice flame maple back and sides, good mechanics, powerful sound.
Strings 62,8cm; nut 4,7cm
Anonymous, Panormo School, c.1820
PRICE : 4500CAD - 3100EUR - 3600USD
Spruce top with inlays, laminated brasilian rosewood back and sides, G. Range tuners in good shape (G.R. George III). Strings 64,3, nut 4,7cm
Spruce top with inlays, laminated brasilian rosewood back and sides, G. Range tuners in good shape (G.R. George III). Strings 64,3, nut 4,7cm
Cabasse-Bernard c.1830
PRICE: 6000$CAD-
4700USD - 3900EUR
Barnard cabasse c.1830, Mirecourt, spruce top, solid maple one piece back, maple sides, bone and pearl frets, ebony bridge and fingerboard. String length 63,2cm, nut 4,4cm
https://www.youtube.com/watch?v=80RgjQOwu3g
4700USD - 3900EUR
Barnard cabasse c.1830, Mirecourt, spruce top, solid maple one piece back, maple sides, bone and pearl frets, ebony bridge and fingerboard. String length 63,2cm, nut 4,4cm
https://www.youtube.com/watch?v=80RgjQOwu3g
Anonymous, France, c.1820
PRICE: 2900CAD - 2300USD - 1900EUR
Spruce top, maple back and sides, metal and ebony. Strings 65,5cm, nut 4,2cm.
Spruce top, maple back and sides, metal and ebony. Strings 65,5cm, nut 4,2cm.
Early Mirecourt (Mast or Ory) c.1790
PRICE: 5000CAD - 4000USD - 3400EUR
Stamped Lambert, Paris, 1787, but possibly Mast or Ory. Spruce top, maple back and sides. Moustache bridge. Strings 65,4cm, nut 4,3cm.
Stamped Lambert, Paris, 1787, but possibly Mast or Ory. Spruce top, maple back and sides. Moustache bridge. Strings 65,4cm, nut 4,3cm.
Pierre Marcard, c.1845
PRICE: 5000CAD - 3300EUR - 4000USD
One of the best Mirecourt shop of the time. Spruce top, Satinwood back and sides. Strings 63,2cm, nut 4,6cm. Good action, very round and warm sound.
One of the best Mirecourt shop of the time. Spruce top, Satinwood back and sides. Strings 63,2cm, nut 4,6cm. Good action, very round and warm sound.
Coffe-Goguette c.1835
PRICE: 5500CAD - 3600EUR - 4300USD
One of the best workshop in Mirecourt in the 1830s, Coffe-Goguette made high quality instruments. This one is simple, but has a rich tone. Mahogany back and sides, spruce top without any crack. Bone frets, ebony pegs, fingeroard and bridge. 62,4cm, nut 4,4cm, 3mm at the 12th fret, very comfortable action.
One of the best workshop in Mirecourt in the 1830s, Coffe-Goguette made high quality instruments. This one is simple, but has a rich tone. Mahogany back and sides, spruce top without any crack. Bone frets, ebony pegs, fingeroard and bridge. 62,4cm, nut 4,4cm, 3mm at the 12th fret, very comfortable action.
Anonymous c.1880
PRICE: 4700CAD -
3700USD - 3100EUR
Imported by Murphy in Manchester, England.
High quality guitar, spruce top with nice inlays, beautiful rosewood back and sides. Very deep and round sound.
Confortable medium action. One piece bridge. Very fine condition. Strings length 63cm.
https://www.youtube.com/watch?v=K2YtOIup9wg
3700USD - 3100EUR
Imported by Murphy in Manchester, England.
High quality guitar, spruce top with nice inlays, beautiful rosewood back and sides. Very deep and round sound.
Confortable medium action. One piece bridge. Very fine condition. Strings length 63cm.
https://www.youtube.com/watch?v=K2YtOIup9wg
Petit Jean l'ainé c.1845
PRICE : 4500CAD - 3600USD - 3000EUR
(+/- 2950EUR, 3350USD)
Mirecourt. Spruce top, nice solid flame maple back and sides, mechanics in good shape, nicely decorated rosette.
String length 62,7, nut 5cm.
https://www.youtube.com/watch?v=iL6F665tucM
(+/- 2950EUR, 3350USD)
Mirecourt. Spruce top, nice solid flame maple back and sides, mechanics in good shape, nicely decorated rosette.
String length 62,7, nut 5cm.
https://www.youtube.com/watch?v=iL6F665tucM
Marêt Ainé 1848
PRICE: 3900$CAD
2600EUR - 3100USD
Paris. Spruce top, maple back and sides. Original soundhole. Simple, but interesting maker. Strings length 61cm, nut 4,2cm
https://www.youtube.com/watch?v=czZiYEXLz7Y
2600EUR - 3100USD
Paris. Spruce top, maple back and sides. Original soundhole. Simple, but interesting maker. Strings length 61cm, nut 4,2cm
https://www.youtube.com/watch?v=czZiYEXLz7Y
GUITARES AND LUTES FOR SALE - GUITARES ET LUTHS À VENDRE
Antoine Lacasse 2019
PRICE: 5500CAD - 3700EUR - 4500USD
Juan Estruch, Barcelona, 2010
PRICE: 950CAD
Cedar top with a repaired crack, rosewood back and sides. Made in Spain 2010, Concierto Model no.3
Cedar top with a repaired crack, rosewood back and sides. Made in Spain 2010, Concierto Model no.3
Rojas & Sanzol, Buenos Aires, 2019
PRICE: 3200CAD - 2200EUR - 2550USD
No.87. Spruce top, African Wengue (Millettia laurentii) and ebony back and sides. Ebony and bone rosette.
No.87. Spruce top, African Wengue (Millettia laurentii) and ebony back and sides. Ebony and bone rosette.
Hernan Bambill, 2020, Argentina
PRICE: 2900CAD - 1950EUR - 2300USD
Spruce top, Indian rosewood back and sides, Spanish cedar neck.
Spruce top, Indian rosewood back and sides, Spanish cedar neck.
Carlo Cecconi copy of Delaplanque 1770
PRICE: 2800CAD - 2250USD - 1850EUR
Very nice early romantic guitar copy by italian maker 1981. Spruce top, maple back and sides. Strings 64,1cm, nut 4,4cm
Very nice early romantic guitar copy by italian maker 1981. Spruce top, maple back and sides. Strings 64,1cm, nut 4,4cm
Alhambra 6P
PRICE: 1100CAD
Cedar and Rosewood.
Cedar and Rosewood.
Carsten Kobs 2016
PRICE ON REQUEST
Double cedar top, elevated fingerboard. Scheller(Germany) tuning machines with nacre gray buttons. Back and sides : Madagascar rosewood. Strings 65cm
Double cedar top, elevated fingerboard. Scheller(Germany) tuning machines with nacre gray buttons. Back and sides : Madagascar rosewood. Strings 65cm
Antoine Lacasse 2016
PRICE: 4200$CAD
Classical guitar cedar top, granadillo back and sides by Canadian luthier Antoine Lacasse.
Classical guitar cedar top, granadillo back and sides by Canadian luthier Antoine Lacasse.
La Patrie Concert
PRICE: 625CAD
Cedar top, mahogany back and sides.
Available for rent or sale - disponible pour la vente ou la location
Cedar top, mahogany back and sides.
Available for rent or sale - disponible pour la vente ou la location
Yamaha C40
Available for rent - Disponible pour la location
SOLD - VENDUES
Manuel Abarca Concierto model
Coffe-Goguette c.1835
Anonymous, Vienna, c.1830.JPGn
Nicolas Petit 2015 baroque guitar
René Lacôte c.1840
Anonymous Mirecourt c.1830
Contreras C3E
Hyppolite-Collin c.1820
Antoine Lacasse 2016
José L. Postigo, Sévilla, 2000
Anonymous student guitar
Antoine Lacasse 2017
La Patrie Concert
Charotte-Millot c.1830
Lyra-Guitar Mast c.1810
Alhambra 4P
Baroque guitar Rosebeck
Sebastian Acevedo 2020
Pierre Millet c.1820
Lyra-Guitar Mast c.1810
Aubry-Maire c.1840
Pollet à Paris, c.1800
Cordoba C10
Chapell, London c.1840
CF Martin c.1840
Anonymous, Mirecourt, c.1830
Panormo 1830, London
Anonymous American style c.1875
Anonymous, France, c.1830
Perrin fils, à Paris, c.1810
Anonymous, France, c.1820
Anonyme, France, c.1800-1810
Anonyme, France, c.1800. Possibly Rhoudloff
J.J. Coffe c.1840 "attributed"
Anonymous, France, c.1840
Anonymous, France, c.1830
Antonio Lorca 1833
Gennaro di Roma 1888
Gerard "attributed" c.1840
Dubois c.1830
Pierre Marcard c.1840
Soriot c.1830
Roudhloff - Mauchand c.1830
Anonymous c.1800
Nicolas-Henry c.1850
Charotte-Millot c.1830
Anonymous c.1830
Pierre Charotte c.1820
Anonymous c.1830
Albin Graupner c.1880
En restauration/In restoration process
Bambino Juan Gomez, Barcelona
Georg Adam Krausch c.1810
Anonymous Mirecourt c.1820
Thibouville-Lamy c.1860
Anonymous France, c.1830
François Tachet c.1830
Aubry c.1770 baroque guitar
Anonymous German c.1830
Meriel fils, Caen, c.1860
Duparis, c.1830
Alphonse Couturieux c.1840
Anonymous France, c.1820
Coffe-Goguette c.1835
Barbe, London c.1840
Guiot, London c.1840
René Lacote c.1840